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I imagine this timing likely developed throughout the Palladium period however I haven't verified that. Eddie Torres began instructing and popularizing this timing beginning in the 1980's, from what I comprehend. He was mentored by the late June Laberta, a ballroom dancing teacher, who aided him develop his strategy and timing.
The story I'm constantly informed here, that still calls for further examination, is that as salsa started getting to new target markets beyond the Caribbean and New York City, it was simpler and a lot more user-friendly to show cultural outsiders to dance On1 rather than On2. This tale does not account for the fact that I've heard Rueda de Gambling enterprise was initially danced a tiempo On3 in Cuba.
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Salsa On1 is simply among various salsa timings you can dance to and it is the most typical timing you'll discover on the planet today. Salsa On1 timing interpretation: "On1" means you start dancing on the first beat of the bar of music the 1. Your break steps (direction modifications) get on beats 1 and 5.
The exemptions I have actually found thus far, where On2 is most common, would be around New york city and in South Korea (Salsa San Francisco). I make certain there are other areas that dance mainly On2 however I have not danced in every nation yet! If you're not exactly sure what timing is most typical where you live, ask your neighborhood dancing studio
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When someone claims "I dance salsa On1" they most likely suggest "I dance linear design salsa On1" (although you can dance any kind of style of salsa On1, people normally indicate linear design). Don't stress if you have actually said these points before, it's all excellent all of us have! The essential point is to bear in mind there's a distinction between design and timing and strengthen your understanding so you can be more precise when discussing salsa with your close friends.
It links nicely with the phrasing in the songs, specifically the piano, and other percussion tools like the cow bell and giro. Timing and style are two different points, so different the ideas when you chat regarding salsa with your friends. No matter of what timing is most usual in your region of the globe, remember you can practically dance any type of style of salsa to any type of timing explore and take pleasure in!
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Although there is an initial mambo dancing that originated from Cuba and after that infected Mexico and New York City in the 40s and 50s, nowadays when a person claims "I dance mambo" they suggest salsa On2, which is various than the initial mambo dancing. The sporadic free-from steps of the initial mambo were danced solo.
As the dancing started to spread, On1 timing started to become preferred. Salsa On2 interpretation: "On2" indicates you start dancing on the first beat of the bar of music the 2.
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A lot of professional dancers take pleasure in dancing On2 for the diverse methods you can link to the songs. Son cubano is the music and dancing that came before mambo and salsa.
It links well to the clave, bass and conga - Salsa San Francisco. Cha-cha is similar to dancing On2 contratiempo however you add the triple action on 4 and 8. Danced to the exact same beats as On1, your break steps are currently on 2 and 6, which alters the feeling of the dancing.
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This timing is virtually the same to contratiempo On2 yet the actions that are normally on 4 and 8 are on 4. It's almost like a timing in between a tiempo and contratiempo.
5 rather than 5) you're dancing this syncopated timing. If you're dancing contratiempo and you step half a beat late in the home position (on 4. 5 rather than 4) you're dancing syncopated timing. In reality it seems it's typically danced as type of a "error" for anyone dancing the previous two timings.
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As stated previously, this was the very first interpretation of dancing on clave (son clave), where the Puerto Ricans would certainly straighten their front break with the 2-side of the clave rhythm while dancing On2 contratiempo. The concept is to line up as many actions of your fundamental as possible with the strikes of the son clave.
Things regarding music and dancing is that there is no right or incorrect. There is just analysis. You can dance on any type of timing you like! Normally, people have actually discovered a way to dance on almost every timing feasible to child and salsa songs. People dance On3 for the same factor you dance On1 since it stresses the strong beats of 1-3-5-7.
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Let's check out the beats you dance On1 to: -2-, -6- (solid beats are in strong) Allow's look at the beats you dance On3 to: -4-, -8- (strong beats are in strong) Notification just how the strong beats are spaced precisely the exact same for On1 and On3? All you do is beginning stepping On3 as opposed to On1.
That's why dancing On3 is so typical in Latin America. Individuals either Attempt to dance On1 however begin tipping On3 by crash and it exercises just fine, or They don't understand much concerning timing and are just interpreting what they hear in the music, based upon their experience expanding up in a society with salsa.
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